Sappho 9-10:
Love shook
my mind like a wind
falling on oak-trees on a mountain.
You came, and I was
yearning for you;
you plunged my heart
into coolness when it flamed with longing.
From Anne Carson’s point of view, this is a classic example
of the “sweetbitter” experience. Sappho exemplified the experience of 'sweet' through the use of a
simile describing how ‘love shook her mind’. The ‘wind in the oak-trees’ is the
love. However, the oak-trees are on a mountain. This shows the precarious
position in which ‘love shook (her) mind’. Too strong a gust and the ‘wind’
could begin to knock the trees down. With intents unknown to the writer, ‘you
came’. This illustrates that there was a motive to you coming, whether good or
bad is to be determined. That didn’t matter though, because ‘(she) was yearning
for you’. And just as how Carson describes it, like the meaning of eros, lack,
she wanted him because she desired and lacked him. The bitter comes with a comparison of the
‘heart’ to and piece of iron being made. ‘You’, signifying that you disrupted
the relationship and not her, the writer, ended the relationship suddenly just
as how a piece of iron is ‘plunged…into coolness’. However this was not before
her heart had already ‘flamed with longing’. Showing she was already in love
with you.
Anacreon 5:
Once more tossing a
purple ball
at me, Love with the
golden hair
points at a girl in
embroidered sandals.
But she (she comes
from illustrious
Lesbos) laughs at my
hair in scorn
(it’s turning white)
and goes of gaping after another—girl.
Here, love is shown in the representation of a person. So instead of a metaphor to describe the
experience, Anacreon instead describes the person that he desires with ‘golden
hair’. With this, we can begin to see the experience of ‘sweetbitter’. However,
she ‘pointes at a girl’ with intentions unknown to the viewer. Since she is
from the ‘illustrious Lesbos’, which is famous for its amount of women that
liked other women, this may pose a problem. The speaker is lusting after ‘Love’
because he wants and lacks her, just as eros signifies lack. Bitter begins when
the girl ‘laughs at (his) hair in scorn’. Although he has quickly fallen in
sweet love, she did not show the same affection, showing how bitter quickly
overcomes love. He can quickly note her ways as she ‘goes gaping after
another—girl’. Her actions dash the hopes of love into a bitter experience.
Both of these poems display supporting information for
Carson’s experience of the chronological event of ‘sweetbitter’. Sweet the the
desire of a girl, and bitter with the fleeting hopes of love.
Overall the analysis was strong. There were a few points where it could be made more precise with better terminology - the "you" of a poem is referred to in analysis as the "addressee," which can help make the exposition less awkward. Also, see Love not quite as the specific object of Anacreon's desire, but as the figure who invites and directs his affections toward the other. Your interpretation of the Lesbos attribution is also good - that's part of the setup of the joke that other poets use as well. Other scholars have interpreted the meaning of coming from Lesbos differently, which I can send you an article on if you're interested.
ReplyDelete