Fin amor or courtly love is refined love. A feudal distance
between the lover and the beloved and a seamless weaving of erotic desire with
the divine typifies fin amor. Three poems that show these traits of courtly
love are “When the Sweet Air Goes Bitter” by Cercamon, “A love Afar” by Jaufre
Rudel and “When the Tender Grass and Leaves Appear” by Bernart de Ventadorn.
Feudal distance:
In each of the poems the lover addresses their beloved as
far away. Commonly in fin amor the lover is of a lower social class than the
lady they are addressing; she may be the wife of a noble. Nonetheless the poet
pines after her. In Cercamon’s poem he shows his distance from the beloved in
the lines, “Wanting only what / No man can get or has got” (37). He laments
that he cannot attain love or his beloved. He is distanced form her and her higher
perfection which he describes as “ a glitter of the sun” (37). In the poem “A
love Afar”, as the title would suggest, the lover is yearning for his distant
unattainable lover. He says,
That
man speaks true who’d say I burn
For
naught else but my love afar
Now
for no other end I yearn-
Only
to know my love afar. (65)
He does not know when he will meet his lover (63), but he
longs to know her. The repetition of the phrase, “my love afar” reinforces how
distant his love his. Also, the repetition shows the lovers commitment to the
lady. He places his desire to know her above all else. By describing her as a
“shrine” he shows his lowly status in comparison to her. Lastly in Ventadorn’s
poem he writes that she, “Treats [him] with honor and grace when she deigns”
(79). This passage shows the elevated position of the beloved. She has a
powerful role in the relationship because love is given as she chooses. The
distance between the lover and the beloved is felt in the distance of their
social class positions. Fin amor often was between a noble married lady and the
poet or bard. Thus the lady is addressed as unattainable and elevated beyond
the poet’s reach.
Combination of the Divine and the Erotic:
Fin amor is a refined love. As such the erotic elements of
love are tempered by the religious rhetoric that accompanies it. For example,
Cercamon writes, “God give me life, and let my course run / ‘Till I have her I
love / to lie with and prove” (37). Cercamon appeals to God to help him attain
his beloved for he wishes to lie with her.
As we talked about in class, “lie with” might be a sexual experience,
but it also might be a reference to restrained contact. His desire is evident
however. God is connected to desire when Cercamon invokes God to help him win
his lover. Rudel similarly invokes God saying, “Dear Lord who formed this world
entire / And shaped for me my love afar, / Pray grant me the power I most
desire:” (65). Rudel asks God to help him gain his desires, which he describes
as “dark desires” earlier in the poem (63). Rudel trusts his meeting with his
lover to God, thus connecting the divine and the erotic. Finally, Ventadorn
writes,
If
I could find her alone,
Sleeping
or playing so for fun,
I’d
steal the sweetest kiss I’ve known –
I
lack the worth to ask for one.
Lady,
by God, our love’s getting nowhere. (81)
His exclamatory cry to God shows his frustration with his
separation from his lady. He describes his desire for her in the first 4 lines,
then conveys his frustration with his separation. This passage differs from the
previous two, but still invokes God when the lover is desirous of his beloved. The restraint that religion and divinity brings to erotic desire helps communicate the refined love of fin amor.
No comments:
Post a Comment