Dante’s
poems in Vita Nuova demonstrate many
similarities with the courtly love tradition of the troubadours. Like the
troubadours, Dante writes about his love for an idealized and unattainable
woman, using religious references to underscore his devotion to this
beloved. However, Dante expands upon
this literary custom by personifying love as a divine figure in itself; whereas
the troubadours often referred to God as the intermediary figure between the
lover and the beloved, Dante gives this role to Love. This difference can be
observed by comparing Dante’s works with those of Bernart de Ventadorn, a poet
who exemplifies courtly love.
Bernart de
Ventadorn’s “You’ve Asked, My Lords, for Song” contains many standard elements
of courtly love. In it, the poet expresses his desire for a woman who is at an
unbridgeable distance from him and the pain he suffers as a result of this
separation. Though he suggests the woman has the ability to decide to be with
him—as he says he will grieve “Unless [his] Lady might / Receive [him] in that
place / She lies in”—he seems to attribute ultimate control over their
relationship to God. As he explains, God gave him both the joys and pains of
his love, and it is up to Him to “give [him] heart and mind”, suggesting that
only God has the power to determine the fate of his romantic relationship. Thus,
he implies that God, rather than people themselves, has control over human
emotions and relations.
While many of these characteristics
can also be observed in Dante’s poems in Vita
Nuova, he expands upon this tradition by personifying Love as its own
autonomous being who has the power to influence his relationships. As he
describes in his sonnet in Chapter III, Love came to him in a dream, carrying
his beloved, Beatrice. This figure was “holding/ [Dante’s] heart within his hands”
and “trembling and obedient / [Beatrice] ate that burning heart”. This suggest that
Love, rather than God directly, has control over both Dante and his beloved,
and the ability to influence their behavior and emotions. While there are still
distance, suffering, idealization, and divine elements in his poems, Dante’s
introduction of this additional central figure brings a new element to the
tradition of courtly love, as he seems to suggest that love is a powerful and
distinct force on its own.
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